Name |
Research Title |
Nina Atkinson |
Feeling the Dance - Experiencing immersive dance with and without sight |
Mira Balchandran Gokul |
Bharatanatyam as a knowledge system; a phenomenological exploration from the dancer's perspective |
Hank (Robert) Bamberger |
Body-based Confessional Practice in Killer Heels by Gay Hank |
Georgina Cockburn |
Dance as a catalyst for living well; examining the potential for Living Well Hubs to improve people's lives through dance |
Greta Gauhe |
Remembering Touch: New Methods for Supporting Bodily Connections Over Distance: A practice-led Community Dance Research |
Henrietta Hale |
Relational Practices and the Tavistock Institute’s Archive: embodiment and social engagement |
Kat Hawkins |
The role of the understudy in inclusive dance: Appropriation, Accessibility and Otherness |
Miranda Laurence |
Bodies in Space and Time: Conceptualising Dance Dramaturgy through Interaction with Architectural Thinking |
Helen Laws |
An Investigation into Resistance and Representation: Freelance Dance Artists and the Cultural Ecology |
Lizzy Le Quesne |
A Dance of Becoming: Skinner Releasing Technique, New Materialism and a dance practice of somatic autobiography |
Lola Maury |
Encouraging enhanced states of sensorial awareness from the spectator |
Megan Mc Conville Shone |
Gender and Kinship in Collaborative Theatre |
David Mellor |
Smart Cities and AI: supporting ethical development from the bottom up |
Patricia Melton |
The Pedagogy of Tap Dance: A Cultural and Historical Perspective on Tap Dance Teaching Strategies And Tap Dancer Learning Styles |
Hiten Mistry |
Reshaping the routines of our past into dances of the new normal – the UK South Asian Dance sectors recovery and resocialisation of community dance in a post-pandemic era. |
Andrea Ondruskova |
Somatic resonance in frames of domestic labour |
Louisa Petts |
The wellbeing of an older dancer: an enquiry into the experience of community dance practice in older adult populations |
Rosa Postlethwaite |
Dramaturgy with Other-Than-Human Species |
Andrea Puerta |
Anatomy of the embodiment of images: A theory about the embodiment of images based on the sense experience of dancers and actors in the practice of Skinner Releasing and Lecoq techniques |
Mandy Rogerson |
Towards a phenomenology of choreography; exploring modes of meaning making through the sensory / affective feedback loop |
Josh Slater |
Falling into Spaces |
Zrinka Uzbinec |
A Cute Crash: Cutting Through Violence with Choreography and Cuteness (M4C) |
Kim Vom Kothen |
A Transient Space – Filming Dance |
Jade Ward |
Mindful Changes: Exploring the benefits of Dance for Health and Hip hop Based-Interventions on Health, Well-being, and Community Cohesion during and post COVID-19 Pandemic |
Catherine Washbrook |
Communion, Perception and Creative Making in Immersive Place Dance Practice |
Linda Westmoreland |
Feel the Fear and Move Any Way: improvised dance and movement as a creative approach to reducing anxiety |
Mary Wycherley |
A practice(ing) of responsibility. Artist-curator in a dance, screendance and visual arts triangulation. (working title) |